Clarice Smith presents Ghost Bride & Responsive Wild, Nov 19 & 20, Online

Clarice Smith presents Ghost Bride & Responsive Wild, Nov 19 & 20, Online

Fall Thesis Concert –
Ghost Bride & Responsive Wild
Rose Xinran Qi, choreographer
Krissy Harris, choreographer

Thursday, November 19, 2020 . 7:30PM
Friday, November 20, 2020 . 7:30PM

By: Clarice Smith Performing Arts Center. Click here.

Responsive Wild
Choreography by Krissy Harris

Responsive Wild considers and questions notions of womanhood and femininity. Inspired by family history, rock and roll, and physics concepts, Harris investigates these ideas through highly physical, bold and expansive movement. The work is in conversation with feminist theories and reveals a complex interrelationship of the inside/outside body and its potential for energetic expression.

Ghost Bride
Choreography by Rose Xinran Qi

Ghost Bride is based on the Asian tradition of a ghost marriage, when a man dies early in life and his family recruits a young woman to marry him in spirit. Through a combination of movements derived from postmodern dance and classical Chinese dance, this work conveys a story of revolution for women’s rights through time and place. Qi evokes the Chinese feminine form Shenyun (bearing) through breath control in order to communicate the internal emotion behind specific movements.

Free, Tickets Required, Online here.

Kreativity End of Semester Show at Clarice Smith, Nov 13, Online

Kreativity Diversity Troupe End of Semester Show
November 13, 2020. 7:30PM

Venue: Clarice Smith Performing Arts Center.
Free, no tickets required. Online.

Join the Kreators of the Kreativity Diversity Troupe for an open mic night, full of music, dance and spoken word.

Want to try out your own performance chops? Show up and sign up! Just looking for a night of entertainment from some of the most talented students in the metro area? Simply take a seat and enjoy the show.

Free, no tickets required. Click here.

Kreativity Open Mic Night at Clarice Smith, Nov 6, Online

Kreativity Diversity Troupe Open Mic

Fri, Oct 23, 2020 . 7:30PM
Fri, Nov 6, 2020 . 7:30PM
Fri, Dec 4, 2020 . 5:30PM

Venue: Clarice Smith Performing Arts Center.
Free, no tickets required. Cafritz Foundation Theatre, general admission.

Join the Kreators of the Kreativity Diversity Troupe for their end of the semester show, full of music, dance and spoken word.

Interested in learning more about Kreativity? Email kreativity.troupe@gmail.com and like them on Facebook!

Free, no tickets required. Online, here

Clarice Smith presents First Fridays, Nov 6 at 5:30pm, Online

First Fridays

Friday, November 6, 2020 . 5:30PM

By: Clarice Smith Performing Arts Center. Online.

Join us every first Friday of the month to share creative work at any stage of development.

First Fridays is a wonderful, intimate setting for ANYONE in TDPS to share their original dances, spoken word pieces, songs, 5-10 minute plays, costume/set/media/lighting design ideas, history/theory projects, etc.

Email Patrik Widrig at widrig@umd.edu if you would like to participate.

Free, No Tickets Required, Online here.

Clarice Smith presents Martius and crash test, Nov 5, Online

“Martius” and “crash test”

Thursday, November 5, 2020 7:30PM

By: Clarice Smith Performing Arts Center. Online.

Martius
Written and composed by Beth Rendely
Directed by Abigail Olshin

Martius, a musical inspired by Shakespeare’s play Coriolanus, follows the breakdowns of family relationships against a backdrop of political conflict and warfare in Rome. Martius, a decorated soldier, is forced by her mother into a political career. What happens when the people reject her? What happens when Martius herself rejects being a pawn in the city’s battles, the senators’ political games and her mother’s ambitions? Will this Roman family—and by extension, Rome—break out of a cycle of glorifying bloodshed?

crash test
Choreographed by Christina Robson

Using the sheet music for Paganini’s “24 Caprices for violin in B-minor,” Robson created a series of movement-based rule systems that generates a series of unexpected and interrupted movement sentences to challenge habitual understandings of weight shift and momentum. As the choreographer, Robson provided her own movement notation made up of hand-drawn geometric symbols to her collaborator, cellist and composer Lily Gelfand, to generate a new musical composition for cello. In this piece, Robson and Gelfand perform their two original compositions simultaneously without revision.

Free, No Tickets Required, Online here.