The Orpheus Adventure at Clarice Smith, Apr 7-15

The Orpheus Adventure at Clarice Smith, Apr 7-15

Maryland Opera Studio
The Orpheus Adventure
Gluck’s Orfeo ed Euridice and
Offenbach’s Orphée aux enfers
April 7-15, 2017

Fri, Apr 7, 2017 . 7:30PM
Sun, Apr 9, 2017 . 3:00PM
Wed, Apr 12, 2017 . 7:30PM
Sat, Apr 15, 2017 . 7:30PM

Venue: Clarice Smith Performing Arts Center. Kay Theatre, reserved seating.

The Maryland Opera Studio pairs two radically different tellings of the Orpheus myth ­— Gluck’s Orfeo ed Euridice and Offenbach’s Orphée aux enfers ­— in their fully produced Spring opera. In Gluck’s version, Orpheus, the greatest musician the world has ever known, receives permission from the gods to venture into Hades and bring his beloved Eurydice back from death, but with a cruel stipulation that leads to tragedy.

Offenbach turns the tragic tale on its head; the mythic lovers are a wrangling pair of dissatisfied newlyweds. Orpheus’ music gets on Eurydice’s nerves, and she’s willing to die and go to Hell when a handsome shepherd (really Pluto in disguise) offers her the trip. Only Public Opinion forces Orpheus to seek permission from the gods to follow her.

A full orchestra and large cast of singers and dancers bring this double spectacle to life with beautiful lighting, costumes and sets, an annual collaboration between the School of Music and the School of Theatre, Dance, and Performance Studies.

Tickets: General Public $25, Student/Youth $10, NextLEVEL $20. Buy tickets here.

Flint, Another Side of You and Akwantuo: The Journey at Clarice Smith, Apr 6 & 8

Flint, Another Side of You and Akwantuo: The Journey at Clarice Smith, Apr 6 & 8

Second Season:
Flint by LaTefia Bradley
Another Side of You by Allen Chunhui Xing
Akwantuo: The Journey by Mustapha Braimah
April 6 & April 8, 2017

Thu, Apr 6, 2017 . 7:30PM
Sat, Apr 8, 2017 . 2:00PM
Sat, Apr 8, 2017 . 7:00PM

Venue: Clarice Smith Performing Arts Center. Dance Theatre, General Admission

Flint
By LaTefia Bradley

Flint is a dance work that addresses the Flint Water Crises. This liberating and thought-provoking choreography combines visual art and dance, and shows images of the people of Flint, Michigan in order to draw attention to a problem that is not only happening in Flint, but all around the United States.

Another Side of You
by Allen Chunhui Xing

Another Side of You explores the inner struggles that many face conforming to society expectations.

Akwantuo: The Journey
by Mustapha Braimah

Akwantuo: The Journey is a piece about immigrants and their experiences living in the United States, exploring what it means to acquire a visa and make the journey across national and cultural borders. The struggles, difficulties, frustrations and the wait will all be magnified. The piece combines traditional African, contemporary and Ghanaian dance theater to elaborate this difficult subject.

This performance will take place in the Dance Theatre and the Grand Pavilion. Please note that non-traditional audience seating may be used for this event.

Free, tickets are required. Get tickets here.

Auditions for Arden Now (As You Like It) by the Rude Mechanicals, by arrangement

Auditions for Arden Now (As You Like It) by the Rude Mechanicals, by arrangement

Arden Now (As You Like It)
Directed by Melissa Schick

This collaborative adaptation sets Shakespeare’s As You Like It in a world where ideals of beauty and desirability are more celebratory of people’s unique individuality and where mainstream society does not attempt to impose a restrictive binary concept of gender to categorize people. We strive to tell this classic story in ways that are fully inclusive, body-positive, and sex-positive. We have cut the original text down, made some creative edits, and have added music, movement, and poetry that express love and exuberance through a variety of times, cultures, and genres. Because if all the world’s a stage, everyone should be represented.

Auditions for Arden Now will take place in April. We are particularly seeking:
Performers of color
Bilingual/polyglot performers
Musically inclined performers who play portable instruments and/or sing
Performers who are trans, nonbinary, genderqueer, genderfluid, or otherwise not identifying as cisgender
Performers with unique dance or movement skills, such as flow arts or martial arts
Deaf performers, autistic performers, performers with disabilities / disabled performers
Performers of all sizes and shapes
Performers of any experience level (including no experience) who enjoy working in a collaborative atmosphere and have a strong desire to learn and experiment
Performers with a strong interest in social justice who are accepting and respectful of others

All roles are open to all performers regardless of gender, age, race, ability or “type.” Performers who wish to participate in movement or music only roles without speaking parts will be happily considered. Techies interested in running sound, lights, and/or live captioning are also needed!

Auditions will begin with one-on-one interviews with the directors in person or via video call or telephone call where you will express your preferences of how to showcase your talent, which can be done via a video submission or in person audition where you may perform a solo monologue/song/dance piece and/or cold or prepared reading(s) with other performers. We will also talk about the script development process and our plan for our style of working. We will begin accepting appointment requests in March. Please email Melissa@rudemechanicals.com for more information. Accommodations such as large print scripts, braille scripts, etc. are available on request, please notify us of your needs. Service animals welcome.

Performances will take place at the Capital Fringe Festival between July 6th – 31st (venue assignment and exact dates TBD) with a secondary run at Greenbelt Arts Center on August 24th through Sept. 2nd. Rehearsals will be in Northern Virginia, with some tech rehearsals in Washington DC and Greenbelt MD. We hope that all rehearsal and performance venues will be ADA accessible and metro accessible. Where venues are not metro accessible, we will strive to provide transportation assistance through carpooling or shuttling from nearest metro stations. We have requested ADA accessible performance spaces from Fringe and are optimistic that our request will be honored. We hope to provide captioning and/or sign language interpretation for at least some performances. If you know of any interested interpreters, please connect us with them!

The Rude Mechanicals are an all-volunteer company, all roles are unpaid.

Performance Location: Greenbelt Arts Center

For more information, see: http://www.rudemechanicals.com/

Tags: Auditions, Greenbelt Arts Center, Greenbelt Maryland, Arden Now, As You Like It, William Shakespeare, Melissa Schick

To the Distant Beloveds at Bowie State University, Apr 2 at 4pm

To the Distant Beloveds at Bowie State University, Apr 2 at 4pm

To the Distant Beloveds, Jonathan Hays, Copeland Woodruff and Jeremy Gill

Sunday, April 2, 2017 4:00pm

An die fernen geliebten (“To the Distant Beloveds”), is a program of two staged monodramas by Beethoven and Boston-based composer, Jeremy Gill. Jeremy’s music has been described as “vividly colored” by the New York Times, and “exhilarating” by the Philadelphia Enquirer. His music has been featured in performances around the globe, as well as an increasing number of recordings.

M-NCPPC has partnered with Bowie State University to offer community arts classes and performances at Bowie State University’s Fine and Performing Arts Center. Register for this course with the Prince George’s County Department of Parks and Recreation.

Fine and Performing Arts Center, Recital Hall, Bowie State University.

Tickets: $25. Smartlink Barcode #17595

Contact:
Jolene Ivey
Jolene.Ivey@pgparks.com
301-437-8394