Black Theatre Symposium: Artistic Housing at Clarice Smith, Feb 28 at 9am

Black Theatre Symposium: Artistic Housing at Clarice Smith, Feb 28 at 9am

Black Theatre Symposium
Saturday, February 28, 2015, all day

A day-long symposium on black theatre, including a performance of Artistic Housing by Seret Scott at 10:30am. Registration fee includes a ticket to the evening performance of Good Kids.

Venue: Clarice Smith Performing Arts Center.

Who are the exemplars of excellence in black theatre? Which institutions are successfully cultivating black theatre practitioners? How do we facilitate inclusion and diversity in the technical and administrative aspects of the field? How can black performers expand their artistry and marketability?

Theatre professionals, scholars, and students will convene to discuss and take action around these questions as we explore the expansion of of an inclusive presence and influence in the field of theatre.

Sessions will include panel discussions, workshops, a special performance of Seret Scott’s one-woman play, Artistic Housing.

One ticket to The School of Theatre, Dance, and Performance Studies’ production of Good Kids is included with payment of the full registration fee. Students and volunteers participating in the symposium may purchase a ticket for $5.00.

Registration: $35
Free student tickets available February 9, 2015
Lunch and one ticket to the February 28 performance of Good Kids is included in registration fee.

Good Kids at Clarice Smith, Feb 27-Mar 7

Good Kids at Clarice Smith, Feb 27-Mar 7

Big Ten New Play Initiative: Good Kids
By Naomi Iizuka
February 28 – March 7, 2015
Director Seret Scott

Venue: Clarice Smith Performing Arts Center.

Fri, Feb 27, 2015 . 7:30PM
Sat, Feb 28, 2015 . 7:30PM
Sun, Mar 1, 2015 . 2:00PM
Wed, Mar 4, 2015 . 7:30PM
Thu, Mar 5, 2015 . 7:30PM
Fri, Mar 6, 2015 . 7:30PM
Sat, Mar 7, 2015 . 2:00PM
Sat, Mar 7, 2015 . 7:30PM

Tickets: Regular: $25, Student: $10. Kay Theatre, Reserved Seating.

Description: UMD has partnered with the Big Ten Conference schools to create a new playwriting and performance initiative. Known as the Big Ten Theatre Chairs, the group will commission, produce and publicize new plays in an effort to influence the national dialogue about women playwrights and aim to produce higher-caliber plays that are effective tools for teaching theatre students.

The program’s first commissioned work, Good Kids, is written by Naomi Iizuka, one of the nation’s most acclaimed young authors and head of playwriting at University of California, San Diego.

Good Kids explores a casual sexual encounter gone wrong, and its very public aftermath. Who is telling the truth? Whose version of the story do you believe? What does that say about you? This play responds to actual events that went on to generate a national dialogue.